金龍 Der Goldene Drache
劍魚◉妾 The Swordfish, Then The Concubine

T he sustainability of a theatre company needs support from members of the society. The development of Pentas Project after all these years relies on the cooperation of members of Pentas Project. However, we always hope that we can do more. We envisions to develop contemporary theatre arts performances in Malaysia and to encourage more collaborations between diverse art forms. Yet, there are only limited efforts made due to insufficient funding.

SUPPORT US

Performance | 作品。

The Swordfish, Then The Concubine 劍魚◉妾 (2016)

The Swordfish, Then The Concubine 劍魚◉妾 (2016)

The Swordfish, Then The Concubine 劍魚◉妾 (2016) 這是一場關於王朝如何被收服的故事。 或許不。 在漫漫歷史長河中,家國興衰本是時間厚度的一個切片。 比一頁紙的故事還薄。 在這片土地真正擁有它的名字以前。  ...
赤鬼 RED DEMON (2015)

赤鬼 RED DEMON (2015)

你是鬼,因為你吃人,所以才變成鬼。 對不起,我錯了。不是鬼吃人,其實是人吃鬼。 是人類吃了鬼。人類為了生存而吃的東西,那就是鬼。 這是一個集合了戲劇、偶戲,面具及現場敲擊與劇本譜出共鳴的演出,由馬來西亞「平台計劃」及台灣「飛人集社劇團」共同合作的國際製作。   這不是一個鬼故事,發生在海邊村落,卻沒有濕霧重重的樹林、四處出沒的毒蛇蛙蠍,也沒有邪靈奔馳作亂。這不是一個關於紅色鬼魅的故事,這只是一個關於人的故事。 有人說:鬼吃人。你相信嗎? 又有人說:人吃鬼。你又相信嗎? 說是破除成見,其實就是嘗試去尊重、去瞭解,人僵化的心靈才會慢慢地、緩緩地被鬆動軟化。「鬼」在哪裏?究竟存不存在?這場以偶、以人交織的演出,是一段帶領著觀眾一同見證啖食他人維生的現代啟示寓言。村民的際遇所引發的嘆息,劃破空氣,沒有回聲,卻輕輕落在每個人心中。 我也用這張嘴,吃了那個人的肉對吧。 創作向來善於綜合多種劇場元素的導演羅國文,此次特邀台灣飛人集社劇團的團長──偶戲導演石佩玉共同合作重現日本劇作家野田秀樹的作品《赤鬼》,呈 現以偶與真人同台演出所創造出的奇幻視覺效果。除此之外,還有人人人鼓劇場及馬來西亞、台灣新進演員參與演出,兩地劇場工作者攜手突顯故事的寓言性,同時 ...

Feedback | 觀後感。

One is gripped with endless fascination.. Kok Man and his team have sketched ourugly, fractured, lovely Kuala Lumpur.” –

– Zedeck Siew, Kakiseni on THE LOST AND THE ECLIPTIC - http://www.visionkl.com/event/lost-and-ecliptic

These three pieces, as a whole, have challenged us not only in our thinking about language, but also in our thinking beyond language…

– Kakiseni on BREAKING - http://pentasproject.org/portfolio-items/break-ing/

Beatiful and elliptical… exuberant… …Dramatists across the Causeway explore issues of language, politics and identity with mostly beautiful and hilarious results…

– Adeline Chia, Singapore on BREAKING - http://pentasproject.org/portfolio-items/break-ing/

…each director …succeeds in delivering something resonant, relevant and powerful.,,, a remarkable evening, displaying the vibrant diversity of the KL theatre scene…

– The Flying Inkspot, Singapore on BREAKING - http://pentasproject.org/portfolio-items/break-ing/